List of Scriptreaders

Here you find a list of our readers.

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Anne D. has been working as a lecturer for years for various German production companies, film distribution and the ARD Degeto. She wrote editorial reports in German as well as in English and evaluates screen plays for the national and international film and television market.

Ulrich F. has been proofreading for many years fictional and documentary screen plays and treatments for the „Kleine Fernsehspiel“, ZDF young talent editorial department, as well as for the MDM, Mitteldeutsche Medienförderung. At present he works as freelance children´s media and script writer.

Giti H.-R. is a freelance journalist and screenplay reader. She studied theater, film and television studies, romance philology and art history in Bochum and Siena. For many years now she is a member of the reader team for a German broadcaster. She wrote editorial reports, evaluates treatments and is currently dramatic adviser for the development for a children´s movie and for an international cinema project. Since 2012 she is an annual member of the nomination commission for the Grimme-Preis in fiction. She also has a comprising knowledge oft he German TV-market. She is assistant professor for media competence and screenwriting at the Ruhr university in Bochum.

Lydia H. studied philosophy, journalism and history and has been working for several years as a freelance dramatic advisor and lecturer for various distributors, broadcasters and production companies. Among others for the Hanns Eckelkamp film production, she is in charge of German and English film projects for various film productions and distributors.

Florian H. studied film production at the HFF Munich and has been working as lecturer, dramatic adviser for diverse distributors, broadcasters and production companies. Not long ago earned his first contract as a scriptwriter for a renowned director.

After her studies of film studies, Simone W. has pursued the path of a freelance lecturer and dramatic advisor. Amongst others she worked for miscellaneous broadcasters and for film funding institutions. She also works as a lecturer for dramturgy and develops her own scripts.

Lutz K. has been working for 30 years as freelance author, director and script consultant. He is professor at the film academy of Baden-Württemberg, mentor of the Munich script writing academy and has consulted over 200 projects in Germany and abroad.

Daniel K. belongs to a current team of lecturers of an important German public broadcaster since the middle oft he nineties, where he specialised in feature-length formats. He lectured far over 1,000 scripts (fictional and documentary), taught at several universities and gave workshops at international festivals. Besides dramaturgic expertise he is an acknowledged expert for the international film market.

For over 10 years Mareike H. has been working as a freelance screen-play lecturer in Germany and abroad. Among others she lectured for Prokino, Munich, Planeta 2010, Barcelona and StudioCanal, Berlin. She also works as a writer of film summaries for Bayerischer Rundfunk and ARTE.

Philipp W. was a student at dffb, Deutsche Film- und Fernsehakademie (German Film and Television Academy). During the last years he worked as an author and dramatic adviser for different production companies. As a lecturer he mainly evaluates screenplays for German and English cinema.

Mani B. studied film and television studies at the FU Berlin and has been working for many years as a freelance lector, author and film journalist. As screenplay reader for WDR and MDR he is mainly in charge for the Tatort („crime scene“) and other thriller formats of the respective broadcasters.

Tilman M. studied at HFF Munich and has been screenplay reader and script consultant for diverse film productions, distributors and broadcasters. He wrote several screenplays for a scripted reality format and recently a children’s book.

Sarah B. has been working for several years as reader and script adviser and two years in a permanent position for Ziegler Film, Berlin. In 2012 she enrolled for a second degree at the Film Academy Baden-Württemberg in screenwriting and creative producing.

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